"Deliciously strange" (LA Times), "spectacularly original" (New York Magazine), "a comedic stream of conscious operatic beat-boxing marvel" (Eugene Mirman): Brooklyn's Reggie Watts leaves audiences in convulsions of awed laughter with his whip- smart comedy. A sly provocateur in the mold of Andy Kaufman, Watts "moves seamlessly from skits to songs to off-kilter stand-up" (NY Times), using electronic looping consoles to layer his riffs with vocal percussion symphonies.
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